Next month, Sotheby’s will bring a broad array of photography to the auction block, illuminating the spectacular vary of the medium through a survey of Trendy and Post-War image makers. While audiences will get their justifiable share of the lads who helped modified the history of photos — think Bill Brandt, Robert Frank, Weegee, Alfred Stieglitz and Ansel Adams — a few of the most spectacular names within the bunch belong to the 20th and 21st century women who’ve brought the art of photography to new heights.

Diane Arbus, Nan Goldin and Annie Leibovitz are indelible icons within the photography canon, having created works that art history students shall be studying for hundreds of years to come. Below is a primer on 10 of the historic women included within the upcoming photography sale at Sotheby’s. Add these women to your list of art world saints, pronto.

Beyond the list below, works by photographers like Doris Ulmann, Imogen Cunningham, Alma Lavenson, Consuelo Kanaga, Dorothea Lange, Ruth Bernhard, Berenice Abbott, Lisette Model and Lynn Davis may also be up on the market at Sotheby’s next month. Nevertheless, there are, in fact, many more woman photographers you must know outside of this sale, notably the work of Carrie Mae Weems, Lorna Simpson, Graciela Iturbide and, in fact, Cindy Sherman.

While Sotheby’s survey stands to correct the long male-dominated realm of photography by together with most of the women who helped form the medium, there still remains a scarcity of American women of color within the sale. That is yet one more reason why we’d like curators to readdress the annals of art history to rediscover the artists mainstream establishments have ignored. These 10 women deserve each little bit of recognition next month, however there is no hurt in pushing auctioneers to bring a more numerous lot of artworks to the table.

In that spirit, tell us which photographers you’d add to the sale within the comments.

Sotheby’s “Photographs” sale will happen on Oct. 7 at 10 a.m. in New York City.

Sotheby’s Ruth Orkin, “An American Woman in Italy,” 1951, printed later (Est. $10/15,000)

1. Ruth Orkin

The late Ruth Orkin, born in Boston, Massachusetts, in 1921, captured a picture that has since served as a bold reminder of what it was wish to travel as a single woman in post-WWII Europe. The photo above, shot in 1951, isn’t staged. Quite, it shows Orkin’s friend Ninalee Craig walking along a Florence street amidst a crowd of Italian strangers all too wanting to take notice of a lone woman (they were aware of a camera, however not instructed to gawk). Craig and Orkin’s daughter Mary Engel have insisted that the image isn’t about harassment or the male gaze; as an alternative it is meant to highlight the resilience of a lady intent on experiencing the world on her own.

Orkin worked steadily from the 1940s to the 1980s, shooting for publications like The New York Times and Life, co-directing an Oscar-nominated film, and showing on the Metropolitan Museum of Art before she died in New York City in 1985.

Sotheby’s Nan Goldin, “Valerie Floating,” Meyreux Island, Antilles, 2001 (Est. $7/10,000)

2. Nan Goldin

American photographer Nan Goldin was born in Washington, D.C., in 1953. She presented her first show at a New York nightclub in 1979, her images distinct for his or her treatment of intimacy, sexuality, abuse and transgression within the drug-heavy years of NYC. These works eventually reworked into “The Ballad of Sexual Dependency,” originally imagined as a slideshow of photos of Goldin’s friends and herself set to music by artists like Nina Simone and The Velvet Underground.

Goldin’s work has evolved greatly because the 1980s, together with the 2004 series “Sisters, Saints & Sybils” which explores the photographer’s sister Barbara’s suicide on the age of 18. The above photo, “Valerie Floating,” proves Goldin’s ability to invoke pure emotions and reminiscences in her framing, translating her subjects’ elation, hesitation, anger or content into frozen moments in time.

Sotheby’s Diane Arbus, “National Junior Interstate Dance Champions,” 1963 (Est. $250/350,000)

3. Diane Arbus

New York-born Diane Arbus, who lived from 1923 to 1981, is understood for her black and white images that capture the faces of largely underrepresented or marginalized people — together with trans models, nudists, and senior citizens. Within the 1960s, her editorial work for publications like Harper’s Bazaar, Sunday Times Magazine and Esquire revealed typical subjects like writers and actors in their very own familiar settings, typically shown staring directly into the camera with an expression of intrigue or nonchalance.

“[Arbus’] work implicates you and the ethics of vision itself,” Jeff Rosenheim, the Metropolitan Museum of Art’s curator of photography, explained to the Smithsonian. “Our license to have that have of viewing one other person is modified and challenged, supported and enriched. I firmly consider this could be the most essential single-artist photography exhibition our museum will ever do.”

Sotheby’s Annie Leibovitz, “John Lennon and Yoko Ono, The Dakota, New York,” 1980 (Est. $15/25,000)

4. Annie Leibovitz

Annie Leibovitz, born in Connecticut in 1949, could be the most well-known woman photographer working today. Leibovitz’s first photography assignment, courtesy of Rolling Stone, was shooting John Lennon in 1970, and thus a career was born — two years later she was named the chief photographer of the publication. In 1980, she once once more set off to photograph Lennon, this time with his partner Yoko Ono. “We took one Polaroid,” Leibovitz recalled of the shoot, shown above, “and the three of us knew it was profound immediately.”

Leibovitz eventually joined Vanity Affair in 1983, which might play host to her portraits of everybody from Demi Moore to Barack Obama. Since then, she has revealed A Photographer’s Life: 1990-2005, which encapsulates her close to-constant output within the years following.

Sotheby’s Helen Levitt, “Women Dancing Above 96th Street Close to 1st Avenue A,” suite of 5 photographs circa 1940 (Est. $5/7,000)

5. Helen Levitt

The late New York-based mostly photographer Helen Levitt, born in 1913, is understood for her stirring tackle street photography, first in black and white and later in gripping color. Beneath the patronage of a Guggenheim grant within the late 1950s and early 1960s, she captured lots of of color negatives of New York City that were tragically stolen by a burglar a decade later. Fortunately, she continued to take photographs up until her death in 2009, lots of which are memorialized in a book of her work titled Here and There.

In an obituary revealed on March 30, 2009, Margaret Loke noted that “the masterpieces in Ms. Levitt’s oeuvre are her photographs of youngsters living their zesty, improvised lives.” One such example is the photo above.

Anadolu Agency via Getty Images NEW YORK, NY – JANUARY 30 : Iranian artist Shirin Neshat’s poses in front of in her exhibition ‘Our House is on Hearth’ on the Robert Rauschenberg Foundation on January 30, 2014 in New York City. Shirin Neshat’s latest work examines the aftermath of the Egyptian revolution. (Photo by Cem Ozdel/Anadolu Agency/Getty Images)

6. Shirin Neshat

Shirin Neshat, an Iranian artist born in 1958, is understood primarily for her video and photography works that explore ideas of femininity in her home country. For instance, Neshat’s photograph, “I Am Its Secret,” on sale at Sotheby’s next month, shows the face of a veiled Muslim woman (who happens to be Neshat herself), covered in a blanket of black and read Farsi writing.

Neshat explained the photo in accompanying text for The New York Times: “Though the Farsi words written on the works’ surfaces might appear to be an ornamental device,” Neshat wrote, “they contribute vital which means. The texts are amalgams of poems and prose works principally by modern women writers in Iran. These writings embody sometimes diametrically opposing political and ideological views, from the entirely secular to fanatic Islamic slogans of martyrdom and self-sacrifice to poetic, sensual and even sexual meditations.”

Francois Nel via Getty Images DUBAI, UNITED ARAB EMIRATES – MARCH 20: Work of Moroccan artist Lalla Essaydi is on show throughout Art Dubai, the leading modern art truthful for the Middle East and south Asia. The 2014 edition takes place March 19-22 at Madinat Jumeirah on March 20, 2014 in Dubai, United Arab Emirates. Art Dubai includes 80 plus galleries, the International Art Forum, commissioned projects and more. (Photo by Francois Nel/Getty Images for Art Dubai)

7. Lalla Essaydi

Born in Morocco in 1956, Lalla Essaydi creates staged photographs of Arab women, investigating the way power and gender manifest within the ways her subjects pose their bodies in negative space. Lots of her images, like Neshat’s, involve text — specifically Arabic calligraphy, which is a historically male apply in her country. Her image, “Converging Territories #13,” on sale at Sotheby’s, is one such image.

“My work is basically autobiographical,” she told PBS, “it is about my very own experiences growing up in Morocco and living as an adult in Saudi Arabia for a few years. It is clearly infused in my work, however my work really goes beyond the Arab world or Arab culture. It really engages Western art and the role by which Arab women are used that I find problematic.”


8. Sally Mann

Born in Virginia in 1964, Sally Mann’s series “At Twelve: Portraits of Young Women” makes an attempt to capture moments in adolescent women’ lives that neither glamorize nor darken a period marked by constant change and a want for independence. Throughout her career, Mann has also employed her youngsters as models, additional exploring the connection — or, maybe, distance — between youngsters and adults, all the time a camera in between.

While her art has garnered the eye of critics who find her treatment of young women too controversial, Edward de Grazia, a professor at Benjamin Cardoza Faculty of Law in New York who’s targeted on censorship of art and literature, says: “What makes Sally such a great case is that immediately her work deals squarely with this taboo subject of nude youngsters. There is not the slightest query that what she’s doing is art, so her motives and the inventive value can be unmistakable to the Supreme Court. Her work would highlight the vagueness and overbreadth of the kid pornography laws. Is not work like this entitled to be protected beneath the First Modification?”


9. Tina Modotti

Born in Italy in 1896, Assunta Adelaide Luigia Modotti Mondini (also called Tina) was an actress, activist and artist who before, throughout and after her marriage to fellow photography Edward Weston managed to create a wide ranging collection of images, mainly in Mexico, before her death in 1942. Most of her work was not absolutely recognized until a trove of her unseen images was present in a trunk belonging to certainly one of her former lover Roubaix de l’Abrie Richey’s descendants.

The image above, taken in 1924-25, might fetch as much as $100,000 alone.

Sotheby’s Share on Pinterest

10. Francesca Woodman

Born in 1958 in Colorado, Francesca Woodman tended to depict nude women in her photographs, lots of whom were captured in ethereal poses and settings, such because the untitled picture of a unadorned woman and a bird shown above. She was susceptible to putting herself in front of her camera, positioned in sparse domestic settings that made her body tackle a ghostly presence. As many critics have noted, Woodman appeared to have a specific talent in using photography to play with the ways we understand time.

“Unlike the images we take of ourselves today … time itself went into Francesca Woodman’s footage,” Ariana Reines wrote for The Los Angeles Review of Books. “The ‘timeless time,’ to borrow a phrase from her modern Nico, inside Woodman’s photographs, was the time it took to choose the weather for his or her semi-improvisatory making, plus the time it took to take them, behind which was, in fact, every contour of each single thing she ever saw or did in her life, as is true for all artists.”